10 December 2013 – 10 January 2014

Jagodič’s extensive body of work in the so called field of experimental photography was crucially exposed and acclaimed in 1973, when he was selected to take part in the Nova fotografija (new photography) exhibition which was the predecessor of the ongoing project Nova F. Some of the most active and significant Yugoslav artists working in the medium of photography were shown within the frame of this exhibition (the curators were Stane Bernik, Radoslav Putar and Ješa Denegri). Even though Jagodič’s works have always been based on formalistic artistic premises he, above all the exhibited artists (Mirko Lovrić, Željko Jerman, Enes Midžić, Petar Dabac, etc.), addressed topical socio-political issues most directly and expressed a markedly ironic and critical position towards his immediate surroundings. This position originates partly from his involvement in the field of visual satire. Jagodič regularly published his photo-collages in a number of newspapers and magazines, which as well as being an important source of his income, was also a means of reaching beyond the exclusive and narrow world of (fine) art.

A key, substantive aspect of his work deals with the perception of the human mind, addresses acute economic and political issues, and questions the humanity of the humankind. He has been influenced by the aesthetic and formal properties of avant-garde movements, which have been processed, through his own artistic vision in order to actualise those once revolutionary artistic practices, once again. For this reason Jagodič’s body of work has significantly denoted the field of art photography in Slovenia and Yugoslavia. Throughout the period that Grupa Junij was active (1970-1985) photography, as a medium, thoroughly defined its artistic practice. At the time, a significant part of influential local photographers and theorists insisted on preserving classic formulas of documentary photography, which is probably one of the main reasons why Jagodič’s body of work has been largely overlooked in the local history of art. Together with internationally acclaimed artists Jagodič promoted, both in Slovenia and Yugoslavia, alternative possibilities of using photography which aspired to become an equal discipline of visual art.

Stane Jagodič (1943) has been active in different fields of visual art since the mid 1960s. Throughout his ever evolving, continuous body of work he has adopted several different means of artistic production using various media such as photography, painting, graphics, cartoons, performance, assemblages and object art (installations). Jagodič has been using photography and some of its creative derivatives such as photo-montage and photo-collage since 1967. Jagodič was co-founder and conceptual leader of Grupa Junij.

Gallery is closed between 25 December 2013 and 2 January 2014.