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Belgrade Raw is a photo collective founded in 2009 with the idea to explore social, urban and political aspects of city life through the photographic medium. They actively record everyday Belgrade and the state of its community. Belgrade Raw exhibited their work on various occasions, as solo shows in galleries or as part of local and international festivals. They organized a photo fair for five years in a row, while in the period of four consecutive years they have initiated a series of workshops dedicated solely to documentary photography, entitled serbia raw. The collective also published the serbia raw photo book, in which they assembled all the materials produced by the participants in 13 serbian cities. To mark the collective’s 15th birthday, they created a fanzine that they released during their exhibition ‘Two Days Three Nights‘ at Prostor Gallery in Novi Sad, Serbia. Members of the belgrade raw collective are: Darko Stanimirović, Nemanja Knežević, Luka Knežević – strika, Milovan Milenković, Andrej Filev, Aleksandra Mihajlović, Mane Radmanović, Dušan Rajić, Jelena Mijić, and Saša Trifunović. 40 pages 18,5 x 27,5 cm digital print Full color on glossy coated paper 180gr -
Henrik is a magazine and platform dedicated to documentary and contemporary photography, offering a rare printed space for visual storytelling in a time when such opportunities are becoming increasingly scarce. It provides photographers with the chance to tell meaningful stories that blend topical relevance, a refined visual language and a distinctly personal approach. As a one-of-a-kind publication in Slovenia and the broader region, Henrik brings a breath of fresh air and offers a much-needed stage for creative voices.The first issue revolves around the theme of Trials. Ana Šuligoj shares a deeply personal account of losing her mother due to asbestos exposure, while Robert Marin and Sergej Harlamov delve into the metaphorical and literal underground - a refuge for those seeking meaning. Eva Bevec uses visual language to explore the quiet presence of the banal and the absurd as a subtle reflection of today’s struggles. Ivan Tomašević offers a moving meditation on the Croatian war veteran community through the lens of his father’s story, while Meta Krese presents Hazira’s powerful testimony from a survivor camp following the Srebrenica genocide.
Photographers: Ana Šuligoj, Robert Marin, Meta Krese, Eva Bevec, Ivan Tomašević
Editors: Nik Erik Neubauer, Jaka Teršek
Designer: Žiga AnderličLanguage: English, Slovenian Size: 43 x 30 cm, 64 pages Binding: twin-loop binding Publisher: Društvo Študio, 2025Print run: 500 -
WHAT CAN WE LEARN FROM FOREIGN WORKERS? Anna Fabricius has been researching the changing cultural and personality-shaping role of work for years and is currently investigating the increasingly common transnational family relationships resulting from the global division of labour. She has been collaborating with workers from the Far East (Nepal, Myanmar Thailand, Philippines, India), like Insiyatul Urbayanti, who have been employed for shorter or longer periods in agriculture or in the manufacturing industry. The majority of them are young, poor men and women whose daily lives are charac-terised by restricted freedom of movement, strict daily schedules and low wages. There is a constant migration of labour between the poorer and richer regions of the world, and Hungary is also involved in this exchange both as host and exporter. The project titled "Home Is Where Work Is" addresses some of the most pressing issues of our time, where the discourse on human rights is accompanied by restrictive immigration regulations. In this respect, the title of the project carries several mean-ings. We can conceive of work as an instrument of power that forces people to leave their homes, determines their living spaces, their daily rhythms and their personal relationships. The title also addresses the insecurities of the transitory situation in which one cannot feel at home in their place of birth or in their place of work. Lastly, it refers to the dilemmas between moneymaking work and care work to maintain the family home, and thus to the tensions between the economy, society and the reproduction of culture. Тext: Judit Csatlós, Tibor Meszmann Translation: Dániel Sipos Graphic Design: Adrienn Császar Printing House: EPC ISBN: 978-615-02-1329-3 -
Ana Bilankov's first comprehensive monograph and at the same time an artist's book is structurally conceived as a kind of experimental film, a non-chronological 'storyboard' of her conceptual art works made in the media photography, video / experimental film, installation and text in the last twenty years. Structured into ten chapters, the book raises a series of questions on the subject of poetics/politics of dislocation, migration, nomadism, individual and collective memory and construction of identity within "in-between-ness". Many projects have emerged in diverse geographic contexts thanks to several international residencies in different European cities, Moscow and New York, or in both of the author's hometowns, Zagreb and Berlin. The book includes rich photographic and video material as well as the texts written by the author and also two theoretical essays: "Some Future Film" by the art theorist Leonida Kovač and "The Poetry and Revolution of Ana Bilankov" by the film theorist and philosopher Marijan Krivak, and has been designed by Hamper studio Zagreb. Author: Ana Bilankov Publisher: Hamper studio Zagreb Year: 2019 Hard cover, 223 pages Language: English, Croatian Dimensiones: 29 x 23 cm ISBN: 978-953-48548-0-8 -
Big Sur Real. In his latest book project, Branko Lenart has focused on the process of choice as a creative act. He has collected 119 photographs from 1970 to 2020 under the title "BIG SUR REAL". Branko Lenart (1948, Ptuj, Slovenia) was born in the former Yugoslavia, but his family emigrated to nearby Austria when he was six years old. He studied pedagogy in Graz and in 1968 became a member of the photography section of the Graz art association Forum Stadtpark, from which Camera Austria later emerged. Until 2007 he was active as a lecturer in photography at the Graz Higher State School of Art and Design (1979 - 2007) and at the Joanneum University of Applied Sciences in Graz (1996 - 2003). Lenart is an internationally renowned photographer who has travelled extensively around the world since his youth, often staying at artist residencies such as the Apeiron Workshops in Millerton, New York, La Rochelle, Arles, Oxford, Rome, Paris and London. His oeuvre is divided between documentary and conceptual auteur photography. He has paid particular attention to the social periphery, to members of the former urban counterculture or rural society, and has coined the term "subjective topography" for this type of photography. Photographs by Branko Lenart Editor: Günther Friesinger Selection of reproductions: Janez Korošin, Primož Lampič Text: Marjeta Ciglenečki, Günther Holler-Schuster Readings: Bokmal Read by Evelyn Fürlinger Year of publication: 2023 Hardcover, 152 pages ISBN: 978-3-902796-89-9 -
NEW!What will our world be like without emotions, and will anyone even miss them? This question, provoked by the concern that life in current circumstances of constant digital connectivity and instant “likes” and emoticons” is heading into a state where emotions are increasingly losing their role and are retreating into cliches, has motivated the visual artist and author Eva Petrič to create ”@apple girl story 2 ; to be a shadow or a puppet…”. The multilayered story and its book is a hybrid by its content as well as its form. It is a hybrid of a literary story, switching between a fairytale and a contemporary email dairy, and the visual dictionary of emotions among which many are on the brink of extinction. The text itself is a hybrid mitigating between images and sentences, spread out over paper of different colors in ways where sentences form visual images. By depicting figures in their material forms of bodies as well as in their immaterial forms as shadows, the book enables viewers various ways of perception and possibilities of creating one’s own stories. Eva Petrič is a transmedia artist, known for her creative use of photography, interweaving with other media, exploring with it the language of shadows, decoding our existence on ephemeral levels. Her motivation to expose the multidimensional architecture of space, defined by atmosphere, lead her to apply a trans medial approach in her art. Author: Eva Petrič Foreword: Olga Butinar Čeh 23 cm x 23 cm 358 pages, hardcover -
NEW!Limited Edition Print // Edition of 50 Photon Gallery Exclusive The photograph is printed on Ilford archival semi-matte 290g paper. The entire edition is printed with a white border (1,5 cm) in the dimension 48 x 39 cm (including the white border). With each print, you will receive a certificate of authenticity. -
NOVO!Limited Edition Print // Edition of 50 Photon Gallery Exclusive The photograph is printed on Ilford archival semi-matte 290g paper. The entire edition is printed with a white border (1,5 cm) in the dimension 48 x 39 cm (including the white border). With each print, you will receive a certificate of authenticity. -
NEW!Siren Odyssey - A voyage through the 11 frequencies of: 728, 741, 285, 417, 396, 174, 639, 528, 825, 963 and 432, making up the alphabet of our E@motion evolution. Could they be the alphabet of our emotional evolution? The in-between links or the errors – the DNA junk? Are our emotions evolutional junk, the potential of our evolution? Syren Oddissey is an audio visualization of my Periodic Table of Shadowed Emotions, the result of Eva's project Gr@y Matter – Language of Shadows. Frequencies of pitch have been associated with different moods, and the earth and the human body have different resonant frequencies associated with them. For the individual selected frequencies in Siren Odyssey, Eva tried to find textures and grooves that complemented the particular frequencies that were presented to her. The sounds you hear are all tuned to be consonant with the base frequency and therefore should amplify the feeling associated with that particular frequency. Vinyl record in sleeve. Text: Dr.Thomas Miessgang Vocals, lyrics, sound, composition and concept: Eva Petrič Sound production and synthesizer: Mydeck 2000 NYC Scene: installation of recycled lace assemblages by Eva Petrič Video projections: Eva Petrič Performance: Eva Petrič An A4 fine art print of all the shadow images is added, representing the 11 frequencies. -
Sale!
SALE!The photographic monograph Janez Korošin - People and Landscapes (black and white photographs 1960-2015) by Primož Lampič provides an overview of the work of photographer Janez Korošin. Janez Korošin (1935, Ljubljana) started taking photographs at the age of 17 in the Fotoklub Ravne na Koroškem under the mentorship of František Kamnik. He worked as a chemical technician at the Ravne Ironworks, and after completing his military service he joined the Jože Stefan Institute in Ljubljana, where he met the renowned photographer Marjan Smerket, who introduced him to exhibition photography. He began to work more seriously as a photographer in the mid-1960s. In 1966, he became a member of the Fotoklub Ljubljana and Fotogrupa Šolt, which merged in 1968 to form Fotogrupa Ljubljana Šolt, where some of the most prominent local photographers of the time worked. Later he also became a member of the Slovenian Photographers' Association. He has also received numerous international awards and prizes for his photographic work. In 1977, the Photographic Association of Yugoslavia awarded him the title of Master of Photography, and in 1996, the Photographic Association of Slovenia honoured him with the Janez Puhar Lifetime Achievement in Photography Award. In 2000, he was awarded the title "FIAP Excellency" by the International Photographic Association FIAP. "Because of photography's primary ability to record visible reality as the eye does, realism is always relevant in the medium. It is also the foundation of Korošinov's work. I hardly find any radical interventions in his work. -
Nicole Brandstaetter (2001) is a Vienna-based artist whose work spans the fields of photography, storytelling, fashion and design. Since 2019, her photographic practice has been driven by a relentless pursuit of aesthetics, capturing the intricate interplay between visual appeal and narrative depth. Her public recognition began in 2020 with exhibitions at prestigious venues such as the Academy of Fine Arts. With a background in photography and audiovisual studies, her distinctive style and thematic exploration has been featured in various online magazines and recognized by designers in Vienna and the wider German-speaking community. The artist, who grew up in two different cultures - Austrian and American - is deeply intrigued by themes such as self-expression, transience and longing. These interests feed into her work, adding layers of meaning and resonance that invite the viewer to engage with the deeper narratives woven into her photographs. Her ability to integrate design and fashion into her photography has created a powerful visual language that captures the essence of contemporary artistic expression. In the photograph, rain pours down on the lens of my camera, creating this beautiful and abstract image of a silhouette in a white dress in the city of Milan. Amidst the dark streets, the glow of distant streetlights resembles a scattering of luminous dots. - Edition of 6 prints, sized 20x30 and printed on semi-Matt archival paper. -
NEW!A Manual for Silence is a photo-text booklet based on an ongoing sequence of photographs bearing the same title. Images may tell the narrative, the testimony, via its absence — the vacancy of the subject. Text conjures images by beleaguering the unspeakable — pasting words and sentences onto the invisible form until it reveals a wireframe of the object.
Perhaps there — behind this impediment, the existence of it all is to be found. In the failed correspondence of mumbling planes and shards of breached conventions. In the imminent erosion of understanding, solely a silent touch can soothe.
Author: Rene Maurin Publisher: Generator Year: 2019 Hard cover, 112 pages Edition: 300 copies Language: English Dimensions: 24 x 17 cm ISBN: 9789612907303
