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SALE!A tribute to the 100th Anniversary of Bauhaus What is the significance of photo collage in these modern times saturated with fragmented visual images and the ubiquitous "special effects" of new technologies? Has this artistic process preserved its aesthetic relevance from the time of its creation about 100 years ago? An empirical view across the landscape of contemporary art provides a feeling that the interest in a collage in contemporary art has been growing again. Particularly in photography, works have been created that re-enforce the collage principle in the wider original contemporary practice. Project A New Vision of Debris is trying to answer the initial questions by presenting ten positions of regionally established female and male artists. At the same time, the project is an homage to the fabled Bauhaus school, which celebrates the 100th anniversary of its establishment this year, primarily to some of its protagonists who have taught photography and have established photo collage as a new and legitimate artistic practice. Authors of the text: Dejan Sluga, Katarina Manojlović Curator: Dejan Sluga Participating artists: Alexandra Baumgartner, Caroline Heider, Herbert Hofer, Marko Lipuš, Lilly Lulay, Iosif Kiraly, Kensuke Koike, Zuzana Pustaiova, Anita Witek, Metka Zupančič Editor: Špela Pipan Publisher and producer: Galerija Photon Year : 2018 Paperback, 35 pages Language: english, slovenian -
The publication Aftermath. Changing Cultural Landscape contains essays and presentation of 37 contemporary photographers from the territory of former Yugoslavia who have been active after its break-up (1991-2011). Blog of the project: aftermathsee.wordpress.com Authors: Milan Aleksić, Maurizio Bait, Miha Colner, Svetlana Slapšak, Dejan Sluga... Publisher: Photon – Centre for Contemporary Photography Year: 2013 Paperback, 130 pages Dimensions: 25 x 20 cm Language: English -
The publication Aftermath. Changing Cultural Landscape contains essays and presentation of 37 contemporary photographers from the territory of former Yugoslavia who have been active after its break-up (1991-2011). Blog of the project: aftermathsee.wordpress.com Authors: Milan Aleksić, Maurizio Bait, Miha Colner, Svetlana Slapšak, Dejan Sluga, etc. Publisher: Photon – Centre for Contemporary Photography Year: 2013 130 pages Language: English ISBN:
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NOVO!Dimensions: 45 x 30 cm + black frame All prints are printed on fine-art 100 % cotton paper -
Ana Bilankov's first comprehensive monograph and at the same time an artist's book is structurally conceived as a kind of experimental film, a non-chronological 'storyboard' of her conceptual art works made in the media photography, video / experimental film, installation and text in the last twenty years. Structured into ten chapters, the book raises a series of questions on the subject of poetics/politics of dislocation, migration, nomadism, individual and collective memory and construction of identity within "in-between-ness". Many projects have emerged in diverse geographic contexts thanks to several international residencies in different European cities, Moscow and New York, or in both of the author's hometowns, Zagreb and Berlin. The book includes rich photographic and video material as well as the texts written by the author and also two theoretical essays: "Some Future Film" by the art theorist Leonida Kovač and "The Poetry and Revolution of Ana Bilankov" by the film theorist and philosopher Marijan Krivak, and has been designed by Hamper studio Zagreb. Author: Ana Bilankov Publisher: Hamper studio Zagreb Year: 2019 Hard cover, 223 pages Language: English, Croatian Dimensiones: 29 x 23 cm ISBN: 978-953-48548-0-8 -
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NEW!Ana Skobe (1994) is an architect and photographer. In 2019, she obtained her master's degree at the Faculty of Architecture of the University of Ljubljana with a master's thesis on architectural photography. She received several awards in the same field, among others at the Photography in Artificial Light international competition in 2015, 2016 and 2017 and at the Vurnik photography competition in 2019 and 2022. In her creative work, she mainly deals with projects in which she explores the visual experience of space and her attitude towards it. The Unbuilt Series (2019/2020) places some works of well-known Slovenian modern and contemporary architects and architectural bureaus at the starting point of interest. In it, architectural objects are reconstructed in such a way that they are dismantled, rethought and re-established – something else is created, a new object, a new space, a new architecture; however, everything that is new retains within itself a moment of the same, i.e. the reality of built architecture, which is best observed through detail, materiality, the method of stacking or structural logic.The photograph is printed on archival matt 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
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NEW!Ana Vodušek (1989) studied graphic and media technology in Ljubljana, whereupon she spent several years travelling and living around the world, mainly in Mexico. She draws inspiration from her nomadic life and different environments and atmospheres. She participated in many group exhibitions, both 'live' and online, in Slovenia and abroad. She also does collage art, illustration and handcraft. Her primary form of artistic expression is analog photography because of its spontaneity and imperfection. Vodušek is attracted to motifs that catch the eye; be it for their regularity, banality, asymmetry, color details, contrasts or textures. Nature is at the top of her muse-list. Her photography is an eclectic collection of atmospheres, everyday moments and (un)obvious details. The photograph is printed on archival pearl 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
Fotoknjiga predstavlja delo Aniko Robitz, madžarski umetnici, ki se v svojem ustvarjanju poslužuje po večini fotografije in njenih kreativnih odvodov. Pri tem se naslanja na bogato tradicijo domače fotografske ustvarjalnosti, ki je pognala mogočne korenine v lokalnem kulturnem bazenu ter vplivala na širši fotografski in umetniški svet. Avtorji: Aniko Robitz, Uvod: Gábor Döme Založnik: Photon – Center za sodobno fotografijo Leto izida: 2009 Mehka vezava, 42 strani Mere: 21 x 30 cm Jezik: angleščina -
In this book Anikó Robitz presents her photographs made between 2007 and 2020. Her works are based on modern and contemporary architecture. When taking pictures she uses only geometrical forms and elements to create her unique and minimalistic photos. While using the chosen details the composition can get far from the original and shows us something completely new. None of the photos were made in the studio but in the real world which surrounds us, in cities where titles refer to. Although Anikó Robitz is a photographer, her pictures are more appropriately approached as works of fine art. They are best understood by those who are familiar with 20th century visual art forms, primarily abstraction, Suprematism, and Minimalism – can be read in four languages in the foreword of the book. Text written by artist and art critic Bálint Szombathy.Text: Bálint Szombathy Design: Aniko Robitz Publisher: Self-published and coproduced by Photon – Centre for Photography Year: 2021 Hardback, canvas bound with dust jacket, 176 pages Edition: 200 copies Dimensions: 22,5 x 26,5 mm Language: Hungarian, English, German, French ISBN: 978-615-01-0633-5
