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Vojko Flegar (1958) is a law graduate, retired journalist, contributor to Radio Študent and Tribuna, correspondent, commentator and editor of Delo and Dnevnik, and freelance journalist. He was also an occasional photographer who followed early Slovenian punk, rock and alternative music with his camera in the late 1970s and early 1980s, when these marginal creative practises were not yet of interest to most "serious" photographers. His mainly reportage-like ouevre condensed in a relatively short period of three years is focused on the interaction between the performers on stage and the audiences' interventions in public space, especially in the form of graffiti. Some of his photographs, after being published in magazines and on record sleeves from this period, later became part of the visual legacy of this perhaps most subculturally exciting time in Slovenia. Over the last two decades, he has participated in some of Photon Gallery's thematic group exhibitions, such as Laibach Focus (2004), Children of Happiness. Punk Scene of the Early 1980s (2005), Pankrti. Nowt's Getting On (2007), Postering Forbidden. The Story of Buldožer (2015). This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Stane Jagodič (1943) has been active in various fields, media and contexts of visual art since the mid-sixties. After graduating from the Academy of Fine Arts in Ljubljana in 1970, he soon became one of the most active and prominent artists in Yugoslavia, due to his distinguishable artistic expression. In his continuously developing body of work, he has adopted several different concepts of artistic production using various artistic media such as photography, painting, graphics, cartoons, performance, assemblages and object art (installations). Since 1967, Stane Jagodič has been exploring artistic photography and some of its creative derivates like photomontage and photo collage, which are the most significant in his artistic production. Stane Jagodič was a co-founder and conceptual leader of Grupa Junij, active between 1970 and 1985. The group worked as a broad artistic platform that included a number of prominent local and international artists. As an independent artist, Stane Jagodič participated in more than 50 solo and more than 200 group exhibitions worldwide. He lives and works in Ljubljana. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Janez Korošin (1935) began doing photography at the age of seventeen in the Photo Club Ravne na Koroškem. He joined the Jože Stefan Institute in Ljubljana in the spectroscopy laboratory, where he met Marjan Smerke, who introduced him to exhibiting photography. He became a member of the Photo Club Ljubljana in 1966 and later, when they merged in 1968, a member of Photo Group ŠOLT – Ljubljana. He received numerous international awards and prizes for his photographic work. In 1977, the Photographic Association of Yugoslavia awarded him the title of Master of Photography, and in 1996, the Association of Slovene Photographers presented him with the Janez Puhar Award for his lifetime achievement in photography. In his extensive oeuvre, he devoted himself to a variety of motifs, mainly landscape and genre shots. He recorded numerous scenes of everyday urban life and created portraits of individuals in urban landscapes and at various social events. Korošin's work expresses a subtle approach to composition and the creation of atmosphere. He has always developed his photographs himself and has an excellent sense of tonality and a masterful use of grainy black-and-white film. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Peter Koštrun (1979) graduated from Academy of Fine Arts and Design in Ljubljana, where he currently teaches at the Department of Photography. He has been exhibiting at home and abroad since 2003. Koštrun is a master of landscape photography known for his depiction of empty and deserted landscapes, as well as his refined selection of framing and light. He is less interested in the documentary dimension of the land due to his conceptual approach to the genre. His works contain a subtle atmosphere that evokes a feeling of something greater or even immortal. Recent solo exhibitions include Moments, Mottard & Jenray, Liège (2012) in Belgium; The Time is Now, Photo Gallery Lang, Samobor in Croatia (2012), Singularity, Photon Gallery in Vienna, Austria (2014) and Premonition, Center for Contemporary Arts Celje, Slovenia (2016) and Photon Gallery Vienna (2019). Koštrun has shown his work in many group exhibitions at home and abroad, including Almost Spring, 100 Years of Slovene Art at the Maribor Art Gallery (2012), as well as in one of the most important exhibitions of contemporary landscape photography, Sense of Place at the Bozar Expo in Brussels (2012), and the exhibition Land / City / Real / Imagined at Diemar / Noble Gallery in London (2011). Koštrun’s works can be found in the Essl collection in Vienna and in the collection of the Cabinet of Slovenian Photography in the Gorenjska Museum in Kranj. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Roberto Kusterle (1948, Gorizia) has been active in the field of visual art since the 1970s, initially taking up painting and installation work. In the late 1980s, he became interested in photography, which soon became the main medium for his artistic expression. In his work, he focuses on the themes of continuality and connectivity between the human, animal and the natural world. His artistic style encompasses elements of the unusual, bizarre and the surreal. His photographs are not documentary in nature, but are figments of his imagination; the objects, people and the worlds depicted do not exist in reality and typically serve as the basis for his photography. He has been actively exhibiting throughout Italy, Slovenia and internationally since 1988. During this time he has participated in more than 90 solo exhibitions and more than 140 group exhibitions. His most recent solo exhibitions include Habitados at the Museo de la Memoria Històrica Universitaria, Publa, Mexico (2020), the 20e èdition du Festival Europèen de Photo de Nu, Church Sainte-Anne, Arles (2020), Echo, Galleria Weber & Weber, Turin (2021), and series Echo and Cartacei at the Photon Gallery in Ljubljana and Vienna (2023). During his artistic career, he has published 15 monographs. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Dino Kužnik (1986) is a New York based photographer and graphic designer. He uses photography as a medium to capture aesthetically unique scenes, with an emphasis on colour and composition. After several years of experience as a journalistic photographer, retoucher and graphic designer, he now mainly focuses on personal and commercial photography projects ranging from documentary, automotive, architecture and landscape to environmental portraiture and fashion. His notable clients include Tyler the Creator, Jay Versace, Tesla, Adobe, The New Yorker, Wonderland Sun, etc. In 2019, he published his first hard cover book titled Shaped by the West with the publisher Aint–Bad. His work has been featured in numerous online and print publications. He has exhibited in London, Ljubljana, New York, Toronto, Trieste, Arles, Detroit and Paris. In 2017, he was shortlisted for the Landscape category of the Sony World Photography Awards and was exhibited alongside Martin Parr at Somerset House in London. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Branko Lenart (1948) was born in former Yugoslavia and later migrated to neighbouring Austria with his family at 6 years of age. In 1968 he became a member of the avant-garde art society Forum Stadtpark, that later grew into Camera Austria. He thought photography at the College of Art and Design and the Technical College Joanneum in Graz. Lenart is an internationally renowned photographer, who has widely travelled across the world ever since his youth. He attended various artist residencies like Apeiron Workshops in Millerton, New York, La Rochelle in Arles, France, and others in Oxford, Rome, Paris and London. His oeuvre sits between documentary and conceptual art photography. He dedicated his attention to the margins of society, be it the members of urban counter-cultures at the time or to the social conditions in the country and the peripheries. He has been exhibiting regularly since the 1970s. He has exhibited internationally in more than 50 solo and more than 150 group exhibitions, his works are in 35 collections of major national institutions in Slovenia, Austria and abroad, and he has published 22 monographs during his career. His most recent solo exhibitions include BIG SUR REAL 2023, Gallery Reinisch Contemporary, Graz (2023), Hand:Work, Gallery GONG, Nova Gorica (2021) and Eine subjektive Topographie at Graz Museum, Schlossberg (2020). This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Borut Peterlin (1974) graduated from Prague’s FAMU Academy (1994–1998) and concluded a postgraduate study at the London College of Printing (2002–2003). In 2000, he received a scholarship of the Benetton Group’s Research Center for Communication, Fabrica where he worked alongside the renowned photographer Oliviero Tosacani. Shortly after, in 2001, Peterlin co-founded Fotopub Festival of Documentary Photography in Novo Mesto, where he continued to work as an artistic director until 2008. He likewise worked as a photojournalist for over ten years at the weekly magazine Mladina. He currently lives and works in Novo mesto. In recent years, Peterlin’s has dedicated his practice to the pioneering photography processes of the 19th Century, which eventually led him to study with Mark Osterman at the George Eastman House in Rochester, USA. As an active vlogger, he conducts workshops on vintage photography techniques and teaches and conducts workshops around Europe. Since 2015, he organizes a yearly event by the name of Woodland Beyond Photography. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Eva Petrič (1983) is a conceptual, intermedia artist who works with various disciplines of fine art, as well as with photography, performance and writing. She graduated from psychology and fine art at the Webster University in Vienna (2005) and later pursued a master’s degree in new media at Transart Institute in Berlin/Danube University Krems (2010). She participated in over 60 solo and 110 group exhibitions across Europe, USA and Asia. She lives and works in Ljubljana, Vienna and in New York. She was the first Slovenian artist to exhibit two large-scale installations at the famous St. Stephan Cathedral in Vienna in 2016. In the same year, she also participated in one of the biggest annual open-air art projects in New York, Sing of Hope. Her artistic expression includes photography, video, sound, performance, design, poetry and writing. In the forefront of her work is the concept of spatial atmosphere, both on the physical, mental, imaginary and metaphorical level. Since 2017, she has been represented in the USA by Mourlot Gallery in New York. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Bojan Salaj (1964) has been active as an art photographer since the 1990s, producing various original projects. He was employed as a photographer at the National Gallery in Ljubljana between 1994 and 2018, and is therefore the author of many photographs of Slovenian cultural heritage in the field of visual art. He lives and works in Ljubljana. His artistic focus is centred on questioning the representation of photography in mass media, on the iconography of power structures, as well as on the models related to construction of historical and national cultural identity. His approach is highly conceptual and follows objectivist principles. As part of the Photonic Moments festival, he presented his solo exhibition Interiors – Correspondences at the National Gallery of Slovenia (2014) and later at the Makina Gallery in Pula (2016) under the title Correspondences. His works were also included in the group exhibition Aftermath. Changing Cultural Landscape in the Kolovičevi dvori Gallery in Zagreb (2013), in the exhibition City Perspectives (2008) and Insights (2014) in the Photon Gallery. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Tanja Verlak (1979) received her PhD from the Royal College of Art in London. Through ontological and phenomenological models of the photographic image, she examined the relationship between the indexical image and its iconic or imaginary aspects. She conducted part of her research at the renowned British interdisciplinary research institution The British School at Rome. In 2021, she received a prestigious Fulbright grant and was invited by MoCP – The Museum of Contemporary Photography and Columbia University in Chicago to work as a Postdoctoral Research Fellow. She is a recipient of a Zois scholarship and other awards and fellowships, including the Royal College of Art Research Bursary and the TATA Grant. She has twice been honoured with the Slovenian Photography of the Year Award. She has exhibited at home and abroad (AIPAD, New York, Paris Photo, Texas Contemporary Art Fair Houston, Tate Modern (Offprint), GoEun Museum of Photography, Moderna galerija Ljubljana, Maribor Art Gallery). In Slovenia she has recently exhibited at ZRC SAZU and at the Nova Gorica City Gallery. Her works are part of national and international art collections and were recently auctioned by Sotheby's. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
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Antonio Živkovič (1962) graduated from the Faculty of Electrical Engineering in Ljubljana. Živkovič grew up in the industrial town of Trbovlje, the centre of the mining industry in Slovenia, which significantly influenced his artistic endeavours. In his work he focuses on capturing places, stories and motifs related to industrial towns. His oeuvre is characterised by poetic documentation of abandoned industrial landscapes. He has been working and exhibiting as a photographer since 1989. His body of work encompasses 16 series, which were exhibited at 28 solo shows and included in over 40 group exhibitions, both in Slovenia and abroad. He has exhibited at the Photonic Moments festival with the solo exhibition Traces of the Past (2010) and at the Photon Gallery in Ljubljana with the solo exhibitions Water Towers (2004), Industrial Interiors (2005) and Reconstructions (2007). In 2009, his monograph Black Valley was published, and in the same year the City Art Gallery in Ljubljana presented his retrospective exhibition Photographs 1998–2008. At the Idrija Municipal Museum he presented his exhibition Doors / Last Shift (2017). This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.