-
The photographer - chronicler of the beginning of the century Katalog je spremljal razstavo v Slovenskem etnografskem muzeju leta 2015, ki je predstavlila vpogled v življenje in delo enega izmed najpomembnejših amaterskih fotografov z začetka 20. stoletja – Frana Vesela. S fotografijo se ukvarjal celo življenje in ustvaril motivno bogat in raznolik opus fotografij, ki so danes vključene v zbirke večih ustanov. Izbor predstavljenih avtorjevih originalnih fotografij, je na razstavi ponujdil vpogled v dela njegove ohranjene fotografske zapuščine, katere rdeča nit je mesto Ljubljana in njeni prebivalci. Author of photographs: Fran Vesel Texts: Lara Štrumelj, Marijan Rupert Publisher: MGL Year: 1999 paperback, 55 pages Print run: 600 Language: english, slovene Dimensions: 22 x 27 cm ISBN: 961- 206-021-5 -
Nč se ne premakne je publikacija istoimenske fotografske retrospektive prvega pank benda v Jugoslaviji, ki je najavil novo ero lokalne kulturne zgodovine. Razstava, ki je počastila 30. obletnico prvega nastopa skupine v gimnaziji Moste leta 1977, predstavlja dela številnih fotografov s področja Slovenije in bivše Jugoslavije kot so Vojko Flegar, Janez Bogataj, Tone Stojko, Božidar Dolenc, Slobodan Milojković, itd. Avtorji: Igor Bašin, Branko Kostelnik, Gregor Tomc Založnik: Photon – Center za sodobno fotografijo Leto izida: 2007 Mehka vezava, 22 strani Jezik: slovenski, angleški Dimenzije: 30 x 22 cm -
The publication Aftermath. Changing Cultural Landscape contains essays and presentation of 37 contemporary photographers from the territory of former Yugoslavia who have been active after its break-up (1991-2011). Blog of the project: aftermathsee.wordpress.com Authors: Milan Aleksić, Maurizio Bait, Miha Colner, Svetlana Slapšak, Dejan Sluga, etc. Publisher: Photon – Centre for Contemporary Photography Year: 2013 130 pages Language: English ISBN: -
The Last Gaze / Post-Mortem Portrait in Contemporary Photography showcases the international selection of photographers and artists who in their artistic endeavour depict the deceased. By focusing on the dead body they question both their own perception as well as socially (un)acceptable notions regarding the concepts, meanings and representations of death in contemporary western society. Authors: AES+F, Goran Bertok, Marloes van Doorn, Elizabeth Heyert, Rudolf Schäfer, Walter Schels, Jeffrey Silverthorne Text: Jasna Jernejšek Publisher: Photon -- Centre for Contemporary Photography Year: 2016 Softcover, 44 pages Language: english, slovene Edition: 200 Dimension: 16 x 25 cm ISBN: 978-961-92744-5-3 -
The Tensionfield project gives an overview on the current condition and status of art photography in Central Europe after the developments in the 1980s and 1990s. The majority of the artist here emerged from camera club scenes in early 1980s and therefore their roots spring from local photographic traditions that shaped their sensibility for local socio-political circumstances during the transitional period; however, at the same time, they remain open to trends in world of contemporary photography and art. Authors: Max Aufischer, Sanja Kojić Mladenov, Zoran Petrovski, Dejan Sluga, etc. Publisher: Photon – Centre for Contemporary Photography, Ljubljana & CCN Cultural City Network, Graz Year: 2011 Paperback, 65 pages Dimensiones: 22 x 21 cm Language: English ISBN: -
Fotoknjiga predstavlja delo Aniko Robitz, madžarski umetnici, ki se v svojem ustvarjanju poslužuje po večini fotografije in njenih kreativnih odvodov. Pri tem se naslanja na bogato tradicijo domače fotografske ustvarjalnosti, ki je pognala mogočne korenine v lokalnem kulturnem bazenu ter vplivala na širši fotografski in umetniški svet. Avtorji: Aniko Robitz, Uvod: Gábor Döme Založnik: Photon – Center za sodobno fotografijo Leto izida: 2009 Mehka vezava, 42 strani Mere: 21 x 30 cm Jezik: angleščina -
High quality poster showcasing the motif from the photograph, entitled Prometheus (1989). Authors: Goran Bertok Publisher: self-published & Photon – Centre for Contemporary Photography Year: 2015 Poster, Offset print Size: 48 x 68 cm, ed. 500 -
High quality poster showcasing the motif from the Visitors (2004) series of photographs. Authors: Goran Bertok Publisher: self-published & Photon – Centre for Contemporary Photography Year: 2015 Poster, Offset print Size: 48 x 68 cm, ed. 500 -
Bertok deals with the transience of the human body also in his latest series of works, this time, however, from a slightly different perspective. He introduces us to a tortured and exhausted, weary body, bearing the consequences of extreme physical and psychological experience of giving up food. Again, Bertok does not question the personal, psychological, or social motives and circumstances that brought the subject of his depiction into such a state. The artist compares the experience of anorexia with other borderline experiences, be it the so-called SM practices or the survival in the extreme conditions of concentration camps, which he has dealt with in his former projects and photographic series. Thus, the purpose of the project is not to "photodocument" the phenomenon of a disorder or disease, but rather to question the very nature of our physicality, our relationship to the emaciated body and the pain that we presuppose or feel when looking at the proximity of death. Author: Goran Bertok Text: Dejan Sluga Publisher: Photon Gallery Year: 2020 Softcover, 22 pages Edition: 200 Language: english, german Dimensions: 15 x 20 cm -
NEW!Exhibiton catalogue of the project UNADAPTED OBSERVERS. Outsiders and Outlaws. During socialism, the status, function, and aesthetics of photography were remarkably similar across all former socialist countries. In the Central European countries that were part of the socialist bloc, there was also a unique collective organisation in the field of photography, as most photographers worked within the system of photography clubs. However, some photographers have worked outside the system and independently, some because of a particular approach to their work, others because of censorship or even a ban on their work. The exhibition project »Outsiders and Outlaws« focuses on those photographers who stood out from the mainstream of photographic production in the former socialist countries. Participating artists: Andrzej Baturo (PL), Vladimir Birgus (CZ), Stane Jagodič (SI), Gábor Kerekes (HU), Ladislav Postupa (CZ), Rudolf Sikora (SK), Tone Stojko (SI), János Szász (HU), Bálint Szombathy (HU), Jindrich Streit (CZ) Publisher and producer: Photon - Center za sodobno fotografijo Curator, editor and author of the text: Dejan Sluga Design: Jure Legac Proof-reading: Deja Bečaj Printing: Birografika Bori Edition: 200 -
Sale!
SALE!A tribute to the 100th Anniversary of Bauhaus What is the significance of photo collage in these modern times saturated with fragmented visual images and the ubiquitous "special effects" of new technologies? Has this artistic process preserved its aesthetic relevance from the time of its creation about 100 years ago? An empirical view across the landscape of contemporary art provides a feeling that the interest in a collage in contemporary art has been growing again. Particularly in photography, works have been created that re-enforce the collage principle in the wider original contemporary practice. Project A New Vision of Debris is trying to answer the initial questions by presenting ten positions of regionally established female and male artists. At the same time, the project is an homage to the fabled Bauhaus school, which celebrates the 100th anniversary of its establishment this year, primarily to some of its protagonists who have taught photography and have established photo collage as a new and legitimate artistic practice. Authors of the text: Dejan Sluga, Katarina Manojlović Curator: Dejan Sluga Participating artists: Alexandra Baumgartner, Caroline Heider, Herbert Hofer, Marko Lipuš, Lilly Lulay, Iosif Kiraly, Kensuke Koike, Zuzana Pustaiova, Anita Witek, Metka Zupančič Editor: Špela Pipan Publisher and producer: Galerija Photon Year : 2018 Paperback, 35 pages Language: english, slovenian
