Branko Lenart (1948) was born in former Yugoslavia and later migrated to neighbouring Austria with his family at 6 years of age. In 1968 he became a member of the avant-garde art society Forum Stadtpark, that later grew into Camera Austria. He thought photography at the College of Art and Design and the Technical College Joanneum in Graz. Lenart is an internationally renowned photographer, who has widely travelled across the world ever since his youth. He attended various artist residencies like Apeiron Workshops in Millerton, New York, La Rochelle in Arles, France, and others in Oxford, Rome, Paris and London. His oeuvre sits between documentary and conceptual art photography. He dedicated his attention to the margins of society, be it the members of urban counter-cultures at the time or to the social conditions in the country and the peripheries. He has been exhibiting regularly since the 1970s. He has exhibited internationally in more than 50 solo and more than 150 group exhibitions, his works are in 35 collections of major national institutions in Slovenia, Austria and abroad, and he has published 22 monographs during his career. His most recent solo exhibitions include BIG SUR REAL 2023, Gallery Reinisch Contemporary, Graz (2023), Hand:Work, Gallery GONG, Nova Gorica (2021) and Eine subjektive Topographie at Graz Museum, Schlossberg (2020). This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.

Dino Kužnik (1986) is a New York based photographer and graphic designer. He uses photography as a medium to capture aesthetically unique scenes, with an emphasis on colour and composition. After several years of experience as a journalistic photographer, retoucher and graphic designer, he now mainly focuses on personal and commercial photography projects ranging from documentary, automotive, architecture and landscape to environmental portraiture and fashion. His notable clients include Tyler the Creator, Jay Versace, Tesla, Adobe, The New Yorker, Wonderland Sun, etc. In 2019, he published his first hard cover book titled Shaped by the West with the publisher Aint–Bad. His work has been featured in numerous online and print publications. He has exhibited in London, Ljubljana, New York, Toronto, Trieste, Arles, Detroit and Paris. In 2017, he was shortlisted for the Landscape category of the Sony World Photography Awards and was exhibited alongside Martin Parr at Somerset House in London. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.

Janez Korošin (1935) began doing photography at the age of seventeen in the Photo Club Ravne na Koroškem. He joined the Jože Stefan Institute in Ljubljana in the spectroscopy laboratory, where he met Marjan Smerke, who introduced him to exhibiting photography. He became a member of the Photo Club Ljubljana in 1966 and later, when they merged in 1968, a member of Photo Group ŠOLT – Ljubljana. He received numerous international awards and prizes for his photographic work. In 1977, the Photographic Association of Yugoslavia awarded him the title of Master of Photography, and in 1996, the Association of Slovene Photographers presented him with the Janez Puhar Award for his lifetime achievement in photography. In his extensive oeuvre, he devoted himself to a variety of motifs, mainly landscape and genre shots. He recorded numerous scenes of everyday urban life and created portraits of individuals in urban landscapes and at various social events. Korošin's work expresses a subtle approach to composition and the creation of atmosphere. He has always developed his photographs himself and has an excellent sense of tonality and a masterful use of grainy black-and-white film. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.

Stane Jagodič (1943) has been active in various fields, media and contexts of visual art since the mid-sixties. After graduating from the Academy of Fine Arts in Ljubljana in 1970, he soon became one of the most active and prominent artists in Yugoslavia, due to his distinguishable artistic expression. In his continuously developing body of work, he has adopted several different concepts of artistic production using various artistic media such as photography, painting, graphics, cartoons, performance, assemblages and object art (installations). Since 1967, Stane Jagodič has been exploring artistic photography and some of its creative derivates like photomontage and photo collage, which are the most significant in his artistic production. Stane Jagodič was a co-founder and conceptual leader of Grupa Junij, active between 1970 and 1985. The group worked as a broad artistic platform that included a number of prominent local and international artists. As an independent artist, Stane Jagodič participated in more than 50 solo and more than 200 group exhibitions worldwide. He lives and works in Ljubljana. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.

Branko Cvetkovič (1951) is mostly recognized as an architectural photographer in Slovenia, professionally mainly in the field of industrial architecture. His photographs are characterized by rigorous objectivity of the depicted, based on the postulates of The Düsseldorf School of Photography. His architectural photographs are predominantly minimalistic in their structure and shot with a large-format camera. Cvetkovič is known for a conceptual approach to photography. He is particularly interested in unveiling the symbolic meaning behind the buildings concerning their urban history, whilst the selection of motifs reflects his preoccupation with issues of urban architecture. In recent years, his main focus has been the phenomenon of light and space from a more formalistically abstract and conceptually universal starting point. His last major solo exhibition, entitled NO-SPACE | ZERO-SPACE, was held in 2018 in the former monastery church of the Božidar Jakac Gallery in Kostanjevica. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.

Tomo Brejc (1975) studied at the Faculty of Arts in Ljubljana, where he graduated with his thesis The End of Photography – or Just a Chance to Rethink European Visual Culture. In recent years, he has been active in the fields of artistic production, fashion photography and theoretical writing. Between 1999 and 2003, he was a member of the editorial board of the magazine Fotografija, where he also published several professional articles on the theory of photography and in the field of photographic production. He collaborates with many national and international publications and agencies. He is one of Slovenia’s most internationally successful photographers. Brejc has developed his own distinctive style over the years, encompassing his extensive knowledge of both the photographic medium and art history. A graduate in philosophy and cultural sociology, Tomo Brejc often uses principles from philosophy and cultural theory in his work. His photographs are therefore conceptually profound and well thought out, while at the same time intuitively created and supported by a high level of technical execution. His last solo exhibition in Slovenia was Unfinished Landscapes at Photon Gallery (2022). This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.