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SALE!Author: Stanko Abadžić Publisher: Kadar36 Year: 2017 Hardcover, 160 pages Language: english, croatian Dimenzije: 29 x 26 cm ISBN: 978-953-57655-9 -
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SALE!Author: Stanko Abadžić Publisher: Kadar36 Year: 2017 Hardcover, 160 pages Language: english, croatian Dimenzije: 29 x 26 cm ISBN: 978-953-57655-9-2 -
Little known outside of his native Hungary, the body of work Szász created from the late 1950s through the 1970s, epitomizes the artistic vision and innovation of photographers active in Hungary during the years of communism. Featuring boldly graphic abstractions primarily drawn from Hungarian life and landscape, Szász’s images communicate through a universal vernacular. Working in the tradition of Hungarian greats such as André Kertész and László Moholy-Nagy, János Szász’s images are notable for their experimentation with radical perspectives, formalist compositions, and stark, black and white contrast printing. Szász’s photographs transform ordinary scenes from his hometown of Pécs — snow-covered vineyards, stacked firewood, and rows of seating in a darkened movie theater—into bold and graphic compositions. By manipulating darkroom exposure and processing techniques, Szász often reduced his subjects to pattern. He utilized a darkroom process for high-contrast printing, which involved chemical over-processing, then painstakingly bleaching over toned areas with a paintbrush or sponge, to arrive at his dynamically graphic images.
Photographs: Szász János Texts: Kincses Károly Graphic design: Bodó Márton Translation: Szász Balázs Publisher: Szolga Hajnal Year: 2012 Paperback, 128 pages Language: English, Hungarian Dimensions: 27 x 21 cm ISBN: 978-963-08-2959-5
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Tanja Verlak (1979) received her PhD from the Royal College of Art in London. Through ontological and phenomenological models of the photographic image, she examined the relationship between the indexical image and its iconic or imaginary aspects. She conducted part of her research at the renowned British interdisciplinary research institution The British School at Rome. In 2021, she received a prestigious Fulbright grant and was invited by MoCP – The Museum of Contemporary Photography and Columbia University in Chicago to work as a Postdoctoral Research Fellow. She is a recipient of a Zois scholarship and other awards and fellowships, including the Royal College of Art Research Bursary and the TATA Grant. She has twice been honoured with the Slovenian Photography of the Year Award. She has exhibited at home and abroad (AIPAD, New York, Paris Photo, Texas Contemporary Art Fair Houston, Tate Modern (Offprint), GoEun Museum of Photography, Moderna galerija Ljubljana, Maribor Art Gallery). In Slovenia she has recently exhibited at ZRC SAZU and at the Nova Gorica City Gallery. Her works are part of national and international art collections and were recently auctioned by Sotheby's. This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates. -
The Tensionfield project gives an overview on the current condition and status of art photography in Central Europe after the developments in the 1980s and 1990s. The majority of the artist here emerged from camera club scenes in early 1980s and therefore their roots spring from local photographic traditions that shaped their sensibility for local socio-political circumstances during the transitional period; however, at the same time, they remain open to trends in world of contemporary photography and art. Authors: Max Aufischer, Sanja Kojić Mladenov, Zoran Petrovski, Dejan Sluga, etc. Publisher: Photon – Centre for Contemporary Photography, Ljubljana & CCN Cultural City Network, Graz Year: 2011 Paperback, 65 pages Dimensiones: 22 x 21 cm Language: English ISBN: -
A photo-monograph about Laibach's break-through of the Iron Curtain and deconstruction of Western consumerism, is a "road movie" story about their 1983 Occupied Europe tour. After more than 40 years, this monograph is the first time you can see the never-before-published photographs from Austria, Hungary, East and West Germany, Poland, the Netherlands and England, collected by Theodor Lorenčič during the tour. His documentary photographs are more for reading than looking, and clearly show the bold artistic concept that emerged from the "dehumanised" world that Laibach harshly criticised. Laibach's name, symbols and performances have always been a provocation. Through thoughtful performances with engaging music, they have expressed their attitude towards the modern world. Their art is not innocent, but at the same time they cannot be blamed for using iconography to portray the apocalyptic mood of history.Photographs: Teodor Lorenčič, Andrew Catlin Text: Teodor Lorenčič Graphic design: Ivan Jocić, Mirko Trbusić Publisher: Službeni glasnik (Public Enterprise) Editor: Gordana Milosavljević Stojanović year: 2022 Soft covers, 192 pages Language: English Dimensions: 22,5 x 27,5 cm
ISBN: 978-86-519-2784-6
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The History of European Photography (1900 – 2000) is an international research project spanning the whole of Europe. The project’s main aim was to publish an encyclopaedia in English, divided into three volumes / periods, volume 1: 1900 - 1938, volume 2: 1939-1970, volume 3: 1971 - 2000. Each volume of the encyclopaedia is organized alphabetically by country. A study on the history of photography in each country is written by an expert on photography from that country. Alongside the main studies, each book contains extensive additional material, biographies of mentioned photographers, and timetables marking cultural, socio-political and technical photographic events in each country for a given period. There are be two types of indices in each book - an index of mentioned photographers and an index of other historical names and subjects. The book was published with a print run of 5000 copies per volume, each of the six volumes containing approximately 600 pages.
The price of one volume is 199,00€.Editor: Václav Macek Project Manager: Michaela Bosáková
Publisher: Central European House of Photography; FOTOFO and Eyes ON - Month of Photography Vienna www.sedf.sk ; www.eyes-on.at Year of publication: vol.1 2000,vol.2 2014, vol.3 2016 Hardcover Dimensions: 40 x 30 x 8 cm Weight: 4,5 kg Language: English
ISBN: Vol.1 978-80-85739-55-8 vol.2 978-80-85739-66-4 vol.3 978-80-85739-70-1
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The Last Gaze / Post-Mortem Portrait in Contemporary Photography showcases the international selection of photographers and artists who in their artistic endeavour depict the deceased. By focusing on the dead body they question both their own perception as well as socially (un)acceptable notions regarding the concepts, meanings and representations of death in contemporary western society. Authors: AES+F, Goran Bertok, Marloes van Doorn, Elizabeth Heyert, Rudolf Schäfer, Walter Schels, Jeffrey Silverthorne Text: Jasna Jernejšek Publisher: Photon -- Centre for Contemporary Photography Year: 2016 Softcover, 44 pages Language: english, slovene Edition: 200 Dimension: 16 x 25 cm ISBN: 978-961-92744-5-3 -
Tim Topić (2002) works primarily in the fields of photography, graphics, spatial installations, sound and graphic design, which he is currently studying at the Academy of Fine Arts and Design, University of Ljubljana. He is currently interested in memory, its conception, spatial perceptions and manipulation of all of the above. He regularly collaborates with the DobraVaga Gallery, and has also exhibited in groups at the Photon Gallery, SEM, PMS, Kino Šiška, MOL City Hall and at the exhibition of the Photography Department Ponjava 4. He has had solo exhibitions at DobraVaga, Kino Šiška, MOL City Hall and the Small Gallery of the Bank of Slovenia. As part of the Kolektiv Arhiv, he co-published the art publication Sterile Student in 2024. He is the winner of the 9th ZineVitrine call.Tehnique: zineDimensions: 14 x 21 cmYear: 2025 -
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NOVO!Dimensions: 40 x 40cm + black frameAll prints are printed on fine-art 100 % cotton paper -
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NEW!Tjaša Kučič (1999) is a younger generation photographer, a third-year student of visual communications at the Faculty of Design. Besides photography, she is also engaged in graphic design. Her motifs come from the world of surfing, as it is both inspiring and familiar to her. She currently lives in Slovenia, while at the same time doing most of her work abroad. “Surfing has been around for hundreds of years, but only few find in it a true passion because it requires a very particular life-style and huge commitment. With my photographs, I want to trigger emotions in a viewer so that they can, in a way, relate to this experience and learn a little something about surf culture.” The photograph is printed on archival matt 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
Tomo Brejc (1975) studied at the Faculty of Arts in Ljubljana, where he graduated with his thesis The End of Photography – or Just a Chance to Rethink European Visual Culture. In recent years, he has been active in the fields of artistic production, fashion photography and theoretical writing. Between 1999 and 2003, he was a member of the editorial board of the magazine Fotografija, where he also published several professional articles on the theory of photography and in the field of photographic production. He collaborates with many national and international publications and agencies. He is one of Slovenia’s most internationally successful photographers. Brejc has developed his own distinctive style over the years, encompassing his extensive knowledge of both the photographic medium and art history. A graduate in philosophy and cultural sociology, Tomo Brejc often uses principles from philosophy and cultural theory in his work. His photographs are therefore conceptually profound and well thought out, while at the same time intuitively created and supported by a high level of technical execution. His last solo exhibition in Slovenia was Unfinished Landscapes at Photon Gallery (2022). This work is part of a photographic folder or portfolio box with twenty prints by renowned Slovenian photographic artists from the 1970s to the present day, published on the occasion of the 20th anniversary of Photon Gallery. - The edition is 100 copies, the 40 x 50 cm photographs are printed on archival paper, the prints are signed and accompanied by certificates.
