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NEW!Limited Edition Print // Edition of 50 Photon Gallery Exclusive The photograph is printed on Ilford archival semi-matte 290g paper. The entire edition is printed with a white border (1,5 cm) in the dimension 48 x 39 cm (including the white border). With each print, you will receive a certificate of authenticity. -
NOVO!Limited Edition Print // Edition of 50 Photon Gallery Exclusive The photograph is printed on Ilford archival semi-matte 290g paper. The entire edition is printed with a white border (1,5 cm) in the dimension 48 x 39 cm (including the white border). With each print, you will receive a certificate of authenticity. -
Colour and Coloured Photography and Colour Prints on Slovenian Territory from its Beginnings until 1945. Author: Primož Lampič (MAO) Texts: Matevž Čelik, Primož Lampič Publisher: Muzej za arhitekturo in oblikovanje, Ljubljana Year: 2015 Hardcover, 287 pages Print run: 400 Language: english, slovene Dimensions: 23 x 29 cm ISBN: 978-961-6669-33-7 -
Autography, Uncanniness, Rebellion: the Photography of Božidar Dolenc This catalog accompanied the first major and comprehensive posthumous exhibition of the work of Božidar Dolenc (1950 - 2008) at the Museum of Contemporary Art Metelkova in 2021. Dolenc is one of the most prominent and widely acclaimed photographers of the second half of the 20th century in Slovenia. The exhibition was conceived around his photographic legacy, which was acquired in 2016. He was attracted to street scenes and formulated a recognizable poetics as well as the visual esthetics of the alternative culture events of the late 1970s and 1980s, of which he is now considered the main photographic witness. Author of Photographs: Božidar Dolenc Catalogue Editor: Lara štrumej Texts: Lara Štrumej, Marina Gržinić, Rok Vevar Publisher: Moderna galerija, Ljubljana Year: 2020 softcover, 110 pages Print run: 800 Language: english, slovene Dimensions: 22 x 27 cm ISBN: 978-961-206-143-2 -
This catalog accompanied the exhibition at the Museum Modern Art in Ljubljana in 2010. For Gojmir Anton Kos, photography was an amateur interest that he pursued from the late 1920s until the end of his life, most intensively in the 1930s. Initially he used a glass plate camera, and from the early 1930s onward a Leica. Most of his surviving photographic oeuvre thus consists of black-and-white Leica shots; there are also some color slides from the 1960s. Kos initially photographed his paintings and some exhibitions in which he participated, as well as interiors outfitted with furniture of his own design. The latter stand out for their visual refinement and were given a special place in the exhibition, as they are rare visual documents of Kos' work in the field of interior design. Texts: Lara Štrumej, Stojan Kerbler Foreword: Zdenka Badovinac Publisher: Moderna galerija, Ljubljana Year: 2010 Language: English, Slovene softback, 96 pages Dimensions: 27 x 22 cm -
Lara Štrumej / Geometry of Solitude: Some Modernist Works From the National Photography Collection at Moderna Galerija Among the numerous original languages employed by the individual photographers whose work features in Moderna galerija's photography collection, our attention was drawn to shots that reflect the creative responses of photographers either to an order existing in the external phenomenal world or to individual relationships arising in the urban world that establish a new conceptual order in created images when photographically transposed. The works featured in the catalogue were not created at one time — they span a period from the mid-1950s to the late 20th century. But apart from iconographic similarities and an austere narrative that stems from the modernist desire of the artists to retreat from noisy everyday life to the aesthetics of the silence of photographic images, they are marked by an exploration of the semantic issues of photography as a self-sufficient artistic entity. In every one of these images, the dialogue with the visible world is in its own special way removed from the dynamics of social life and takes place with respect to space and the state of things within this space. The perceived situations where man is present only through his absence are presented in ways not always new, since the artists built on the achievements of New Objectivity, a period that is regarded as the beginning of Slovene modernist photography. Text: Lara Štrumej Publisher: The Museum of Modern Art Language: Slovene, English Year: 2002 softback, 54 pages Dimensions: 27 x 22 cm -
In this book Anikó Robitz presents her photographs made between 2007 and 2020. Her works are based on modern and contemporary architecture. When taking pictures she uses only geometrical forms and elements to create her unique and minimalistic photos. While using the chosen details the composition can get far from the original and shows us something completely new. None of the photos were made in the studio but in the real world which surrounds us, in cities where titles refer to. Although Anikó Robitz is a photographer, her pictures are more appropriately approached as works of fine art. They are best understood by those who are familiar with 20th century visual art forms, primarily abstraction, Suprematism, and Minimalism – can be read in four languages in the foreword of the book. Text written by artist and art critic Bálint Szombathy.Text: Bálint Szombathy Design: Aniko Robitz Publisher: Self-published and coproduced by Photon – Centre for Photography Year: 2021 Hardback, canvas bound with dust jacket, 176 pages Edition: 200 copies Dimensions: 22,5 x 26,5 mm Language: Hungarian, English, German, French ISBN: 978-615-01-0633-5 -
The beginning of the joint venture of diSTRUKTURA is marked by the Face to Face series of photographs as well as with the photograph, entitled Missing Hill I from 2005. The picture showcases the artists with their backs turned against the viewer while gazing in the devastated landscape in the vicinity of closed and deserted copper mine in Majdanpek, Serbia. This work characterised further creative production of the couple who focused on questioning extended notions of nature nowadays and on redefining landscape genre in the period after the industrial, technological and digital revolutions. Since then diSTRUKTURA has been consistently developing its art works across different artistic media, from photography and painting, to drawing, video and installation. This book is therefore the first extensive monographic publication where all the projects from the past ten years are documented, inventoried and analysed: Face to Face, Third Landscape, Cities: Psychogeographic Experiments, We are Living in a Beautiful wOURld, Mitteleuropäische Landschaft, Not so Far Away and The Best of Leisure. Author: diStruktura Text: Miha Colner, Aleksandra Estela Bjelica Mladenović, Catherine Hemelryk, Miroslav Karić, Sanja Kojić Mladenov, Jelena Krivokapić, Astrid Kury, Katarina Mitrović/Saša Janjić, Mirjana Peitler, Una Popović, Jelena Stojanović, Nikola Šuica, Predrag Terzić, Milanka Todić Publisher: ProArtOrg Year: 2015 Hardcover, 151 pages Print: Standard 2, Belgrade Language: english, serbian Dimensions: 23 x 28 cm ISBN: 978-86-80146-03-4 -
Neo-avant-garde Trends in Hungarian Art Photography, 1965-1984 has been published with the support of Art+Text Budapest. The book, like its Hungarian version published in 2007, presents some 400 works of art by 32 Hungarian artists of the 1960s, 1970s and the early 1980s. It undertakes to collect the greatest photographers of this vibrant and fruitful era from Géza Perneczky to Tibor Hajas and János Vető. Among the presented artists we can find photographers who refused the anachronistic aesthetics of the official photography, and artists who used the camera accepting the conceptual approach of the period. Author: Sándor Szilágyi Foreword: Sarah Morthland Publisher: Art + Text Budapest Year: 2017 Hardcover, 377 pages Language: english (first english edition) Dimensions: 30 x 24 cm ISBN: 978-963-12-8293-1 -
In the Gastropoda project artist deals with the “metabolism of images” inspired by the accidental co-authorship of snails, which ate the mail invitations to exhibition openings in Fontcuberta’s home mailbox. It is still possible, however, to discern the shapes of the original images in the selected “metabolised” works. Author: Joan Fontcuberta Texst: Joan Fontcuberta Publisher: La Fabrica Year: 2015 Softcover, 26 pages Language: english, spanish Dimensiones: 30 x 40 cm ISBN: 9788415691914 -
The photo book consists of three leaflets in a homemade cardboard box. There are three different covers with three different stickers. Each leaflet contains one of the series from the triptych Movements: Twelve positions of the hands on a cup of tea when you feel tired and annoyed, Twelve movements of the feet on a wall when you feel bored and alone and Twelve placements of the fingers on a lock of hair when you feel small and unsure. Limited edition of 200, hand numbered. Author: Špela Škulj Design: Špela Škulj Publisher: Self published, In co-production with Photon - Center za sodobno fotografijo Year: 2016 Print: Collegium Graphicum Language: english Dimensions: 14 x 12 cm ISBN: 978-961-283-770-9 -
‘Until Death Do Us Part’ series is the result of two-year photographic project on weddings in Europe, with an accent on cross-cultural couples and certain cultural meanderings, the product of the constant shifts of borders, migrations, globalisation and acculturation. The project represents a visual investigation of the phenomenon of the wedding ceremony and party as one of the crucial anthropological genres, which has for thousands of years played a pivotal role in the ritual life of the human race. In essence, this tradition has remained largely unchanged, despite newly emerging trends and cultural, racial or gender traversing, and in spite of the fact that marriage as an institution is no longer regarded as something so necessarily desirable. Photographs from this series examine the phenomenon of marriage and of wedding ceremony across Europe, often represented as a glamorous pagan ritual paying great attention towards certain fragments of national tradition and folklore of newlyweds and their families. Despite her straight documentary approach and anthropological aims Katarina Radović captures incidental and secondary motifs that often produce metaphysically stressed images with ability to confuse the perception of the seen. Author: Katarina Radović Texts: Jim Casper, Nebojša Pajkić Publisher: Katarina Radovič Year: 2011 hardcopy Print run: 500 copies Print: Publikum, Beograd Language: english, serbian Dimensions: 28,5 x 24,5 cm ISBN: 978-86-915079-0-9