Ana Skobe (1994) is an architect and photographer. In 2019, she obtained her master's degree at the Faculty of Architecture of the University of Ljubljana with a master's thesis on architectural photography. She received several awards in the same field, among others at the Photography in Artificial Light international competition in 2015, 2016 and 2017 and at the Vurnik photography competition in 2019 and 2022. In her creative work, she mainly deals with projects in which she explores the visual experience of space and her attitude towards it. The Unbuilt Series (2019/2020) places some works of well-known Slovenian modern and contemporary architects and architectural bureaus at the starting point of interest. In it, architectural objects are reconstructed in such a way that they are dismantled, rethought and re-established – something else is created, a new object, a new space, a new architecture; however, everything that is new retains within itself a moment of the same, i.e. the reality of built architecture, which is best observed through detail, materiality, the method of stacking or structural logic.

Nina Rojc is a scenographer, architect and visual artist. In 2015, she graduated from the Faculty of Architecture, but during her studies she already worked in the field of art and scenography. She participated in the group exhibition VASA Project: 23 (Photonic Moments 2012), and in 2014 she was selected as one of the 10 finalists of the Photon competition Different Worlds. For the poetry and photography project Pesmi z Bavarca, she received special praise from the jury at Photon's competition Photo-Book, and the was also included in the BLIND DATE Convention Ljubljana 2016 organized by Gallery P74. In her work, she is interested in telling unusual stories outside of everyday social contexts. She often interweaves photography with poetry and short texts. This year, she is starting her master's studies in the Lens based media program in Rotterdam. Make History is a (limited edition) triptych that is connected in terms of content, but the individual photos are strong enough to speak for themselves. The photographs are a reflection of the author's way of visual communication, with which she wants to present personal stories from public life. Humour is also an important element of her work. All three photos were taken spontaneously in the moment and are all recorded on film.

Saša Ribič (1997) is a visual artist and photographer from Slovenia. She graduated from VIST in the Department of Photography (2021). Her work focuses on the themes of heritage, memory and historical events, which she reflects and creates through the perception of the environment. She mainly works with photographs, which are later combined with inserts of text, objects and documents, and are mostly presented in the format of photo books. Flight 105 is a project that, through an intimate visual interpretation of the event, revisits the tragedy of Britannia Airways flight 105, which crashed in September 1966 near the Ljubljana Jože Pučnik Airport. The set of photographs represents the past event, which the artist compiles by researching the forest where the plane crashed and researching data about the accident. Through the collected information, she forms logical sequences that help the viewer understand what happened. The presented photos are part of a photo book entitled "Flight 105".

Vid Svetina (1999) is a visual artist and photographer. He studied at the Srečko Kosovel College in Sežana but did not complete his studies. He creates very often and impulsively, primarily in the medium of photography, in which he introduces elements of constructivism and graphics, while also combining it with text. In addition, he also paints, writes poetry and creates collages and various experimental photograms. He has presented his works several times, including at a solo exhibition at the Faculty of Arts in Ljubljana, where he presented his Budapest and Graphics series. The selected photographs, which were created between 2021 and 2022, represent the artist's experimental and graphic research. He mainly deals with analogue and fashion photography, which is evident in the selection of works for the exhibition. The presented photograms were created spontaneously, during the research of analogue photographic techniques and of visual communication between photography and graphics.

Žiga Leški Kosič (1997) is finishing his photography studies at the Faculty of Applied Sciences – VIST. He started his creative journey with graphic design, which sparked his interest in different visual languages. He likes to experiment with different photographic techniques and combines them with graphic approaches to achieve the desired visual results. Most of his work is commissioned, but he also managed a photo editing workshop that was part of FotoVista, he also tried himself as a juror of the [re]freeŠn photography competition and presented himself at two group exhibitions. Selected works with a large format camera create an archive of operational and abandoned industrial buildings, infrastructures and spaces that are often hidden from the public eye. The author is attracted by the sharpness and roughness of the depicted motifs, which he transforms into aestheticized lines with a graphic approach and technical precision.