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NEW!Lin Gerkman (1995) graduated in industrial design from the Academy of Fine Arts and Design in Ljubljana where he is about to finish a master’s course. Besides industrial design, he is involved in photography and video. In his works, Gerkman gives meaning to found objects by combining them into a brand-new whole. He held solo exhibitions in the Stolp Photogallery (North of South, Maribor, 2019) and the Photogether gallery (Myth and Ritual, Zlin, Czech Republic, 2020). “These photographs are from a work-in-progress which deals with the relation between the environment and an intimate experience of home. By exploring places and objects that have sentimental value to me, I try to grasp the notions of absence, loss, and imperfection. I go back in time searching traces.” The photograph is printed on archival semi-gloss 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
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NEW!Mario Karlovčec (1987, Croatia) finished undergraduate studies in computer science. He enrolled in a PhD course of machine learning and social networks analysis in 2015 and worked at the Artificial Intelligence Lab of the Jožef Stefan Institute in Ljubljana. In 2019, he graduated in photography at the Higher School of Applied Sciences, Ljubljana. He was featured in the Analog Magazine, exhibited at the PH21 gallery of contemporary photography in Budapest, Hungary, and held a solo exhibition in the Layer House Gallery in Kranj. “The project investigates the correlation between the persistent process of increasing entropy in nature and human interventions in the environment. It creates tension between order and chaos which is also evident on the surfaces of things around us. If we step back and observe the world on a large-scale timeline, the activities of the humankind become tiny and irrelevant. These photographs were created in the spirit of ephemeral; a new house and an abandoned ruin put side-by-side.” The photograph is printed on archival semi-gloss 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
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NEW!Nataša Skerk (1995) grew up in Trieste where she went to the Slovenian grammar school and then moved to Ljubljana to study design at the Faculty of Design in Trzin. Erasmus + program took her to Spain where she won apprenticeship at the LIStLab Publishing and the Blacklist studio. Currently she works at the LIStLab Publishing in Barcelona and is a contributor to the UTY (us/them/yours) online magazine. “I wanted to connect with people and remind them of the painful feelings. I believe that embracing one's sorrow is the only way to heal. We have the power to acknowledge the good and the bad and begin to also accept the darkest traits of our individuality; one needs to grieve. Sorrow is not only related to darkness but light as well. I wish people could feel so strong and alive.” The photograph is printed on archival semi-gloss 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
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NEW!Nik Erik Neubauer (1994) is a visual artist and photographer from Ljubljana. He graduated in photography from VIST and took a master's degree from the Academy of Fine Art and Design in Ljubljana (2021). He was a finalist of the Balkan PhotoAward (2017), Malta International Photo Award (2018), Brussels Street Photography Festival (2019) and the Different Worlds open call (2020). He is a 2018 and 2020 award-winner of the Rovinj Photodays festival and received the best music event photography award at the Tresk festival in 2020. In 2021, he was nominated for Leica Oskar Barnack Newcomer Award and featured in the annual Fresh Eye publication powered by GUP Magazine, presenting the best emerging photography talents from Europe. “The series of photographs Today is Friday documents the so-called ‘bicycle’ or ‘Friday’ protests, which I've been covering since they started; I took first pictures in May 2020. In contrast to regular documenting, I'm focused on somewhat unspecific motifs. These mainly include the details that might otherwise be missed, and the individual in the crowd – be it a protester, a police officer or a casual passer-by. It is a series-in-progress since the protests still take place every Friday.” The photograph is printed on archival gloss 290g paper. The entire edition is printed with a white border in the dimension 40 x 50 cm (including the white border). With each print, you will receive a certificate of authenticity. Each print (photograph) comes in an edition of 50. -
The photographer - chronicler of the beginning of the century Katalog je spremljal razstavo v Slovenskem etnografskem muzeju leta 2015, ki je predstavlila vpogled v življenje in delo enega izmed najpomembnejših amaterskih fotografov z začetka 20. stoletja – Frana Vesela. S fotografijo se ukvarjal celo življenje in ustvaril motivno bogat in raznolik opus fotografij, ki so danes vključene v zbirke večih ustanov. Izbor predstavljenih avtorjevih originalnih fotografij, je na razstavi ponujdil vpogled v dela njegove ohranjene fotografske zapuščine, katere rdeča nit je mesto Ljubljana in njeni prebivalci. Author of photographs: Fran Vesel Texts: Lara Štrumelj, Marijan Rupert Publisher: MGL Year: 1999 paperback, 55 pages Print run: 600 Language: english, slovene Dimensions: 22 x 27 cm ISBN: 961- 206-021-5 -
Zmago Jeraj 's series of photographs on the theme of Carnival spans thirty years. The first photographs were taken by chance, merely for the artist's personal archive, with no intention of exhibiting them. Moreover, the initially opportune subject matter was not considered potentially valuable for sustained creative interest. Over time, however, the number of images of figures and scenes associated with Carnival grew and developed into a series. The majority of the shots were taken in the Slovenian town of Ptuj, known for its carnival parade and for the unique carnival figure of "kurent" and its companions. After 1984, when a carnival festival was also organized in Maribor, Jeraj began documenting events in both cities. He focused on masked figures appearing alone or isolated in a crowd of ordinarily dressed people, or on small groups of costumed figures accompanied by random companions. He was interested in homemade costumes, which were often clumsily fashioned and gave a clear indication of the person's ingenuity, skill, and finances. Although Jeraj creates his visual reality with his choice of the event and the moment of freezing it in time, his series of photographs is not without traits of reportage photography and its verism. The outskirts of the center of Ptuj with derelict industrial buildings provide a suitable setting for these images. The emphasis on the banality of the setting robs the carnival figures of their power and creates the semantic concept that prevails throughout the series Carnival Figures and aims to degrade the spectacularity of the figures in various ways. It is thus expressed only with vague allusions to the marginal significance of the costume in relation to the prosaic whole, underlining the futility of the figure's presence. Author: Zmago Jeraj Text: Milojka Kline Publisher: Umetnostna galerija Maribor Year: 1996 Hard cover, 78 pages Print run: 500 Language: english, slovene Dimensions: 30 x 21 cm -
Robert Kusterle's exhibition catalogue is actually a photographic folder published on the occasion of the Images on Paper / Cartacei, exhibition opening at the Gong Gallery in Nova Gorica. The conceptual design of the publication is a collaboration between the artist, Gong Gallery and Studio Faganel from Gorizia, where the catalogue was also designed. The photographic folder includes, in addition to the expert text, fourteen individual reproductions of photographs based on images of old papers from the Gorizia archive, with damaged and faded stamps layered on top of each other. The last layer is made up of human figures that merge and are immersed in the paper, so that the viewer can no longer distinguish between the surface of the body and the paper. In the context of the artist's concept of photographs, the cover of the folder is partly made of pieces of old paper, while the title of the exhibition and the gallery's logo are stamped onto it. Author: Roberto Kusterle Text: Nataša Kovšca Publisher: Galerija Gong Year: 2020 Photographic map: 14 prints Print run: 100 copies Language: slovene, italian Dimensions: 27 x 21 cm ISBN: 978-961-95131-0-1 -
NEW!Limited Edition Print // Edition of 50 Photon Gallery Exclusive The photograph is printed on Ilford archival semi-matte 290g paper. The entire edition is printed with a white border (1,5 cm) in the dimension 48 x 39 cm (including the white border). With each print, you will receive a certificate of authenticity. -
NOVO!Limited Edition Print // Edition of 50 Photon Gallery Exclusive The photograph is printed on Ilford archival semi-matte 290g paper. The entire edition is printed with a white border (1,5 cm) in the dimension 48 x 39 cm (including the white border). With each print, you will receive a certificate of authenticity. -
Colour and Coloured Photography and Colour Prints on Slovenian Territory from its Beginnings until 1945. Author: Primož Lampič (MAO) Texts: Matevž Čelik, Primož Lampič Publisher: Muzej za arhitekturo in oblikovanje, Ljubljana Year: 2015 Hardcover, 287 pages Print run: 400 Language: english, slovene Dimensions: 23 x 29 cm ISBN: 978-961-6669-33-7 -
Autography, Uncanniness, Rebellion: the Photography of Božidar Dolenc This catalog accompanied the first major and comprehensive posthumous exhibition of the work of Božidar Dolenc (1950 - 2008) at the Museum of Contemporary Art Metelkova in 2021. Dolenc is one of the most prominent and widely acclaimed photographers of the second half of the 20th century in Slovenia. The exhibition was conceived around his photographic legacy, which was acquired in 2016. He was attracted to street scenes and formulated a recognizable poetics as well as the visual esthetics of the alternative culture events of the late 1970s and 1980s, of which he is now considered the main photographic witness. Author of Photographs: Božidar Dolenc Catalogue Editor: Lara štrumej Texts: Lara Štrumej, Marina Gržinić, Rok Vevar Publisher: Moderna galerija, Ljubljana Year: 2020 softcover, 110 pages Print run: 800 Language: english, slovene Dimensions: 22 x 27 cm ISBN: 978-961-206-143-2